Buddenbrooks, first published in Germany in 1900, when Mann was only twenty-five, has become a classic of modem literature — the story of four generations of a wealthy bourgeois family in northern Germany. With consummate skill, Mann draws a rounded picture of middle-class life: births and christenings; marriages, divorces, and deaths; successes and failures. These commonplace occurrences, intrinsically the same, vary slightly as they recur in each succeeding generation. Yet as the Buddenbrooks family eventually succumbs to the seductions of modernity — seductions that are at variance with its own traditions — its downfall becomes certain.
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